Editorial
Govt needs to attend to Sidr, Aila victims
It is rather appalling that victims have not yet been fully rehabilitated even two years after Cyclone Sidr struck the south-western coast of Bangladesh and advanced inland. According to a report in New Age on Sunday, marking the second year that Sidr had hit those areas, there are still people who continue to live in makeshift shelters as their dwellings have not been rebuilt. Then there are others still who have not yet been able to resume their vocations. According to the report, the fate of the landless farmers, fishermen and day-labourers appears to be identical to that of those yet to be rehabilitated. It should not be too difficult to discern that these groups of people are usually the ones who pass their days in much hardship and often amid severe poverty. It turns out that these are the people who have still been ignored by the government, present and previous. Although government officials of the sub-districts and districts claim that the rehabilitation work of Sidr has been completed, they are not concentrating on the rehabilitation for Aila. The statistics cited in the New Age report clearly show what the officials meant. The government had apparently finished all rehabilitation work that was planned from the pledged donations and funds received from different sources. Those funds, however, may have been direly inadequate—and according to the information, they clearly were. But that should not mean a lack of commitment on the part of lenders or donors but actually a complete absence of commitment of the government in ensuring that people in the affected regions are given enough assistance and the required resources to jump-start the local economy which could have effectively provided some genuine relief. According to the official information cited in the report, Sidr killed over 4,000 people and affected 30 of the country’s 64 districts. Information available with the Sarankhola sub-district administration said Sidr had killed 772 people, 11,948 cattle and 1,45,770 poultry birds. It had destroyed 13,464 houses and damaged 7,661 houses. Crops on 6,700 hectares were damaged. Also, a 15km stretch of embankment was destroyed and 27km stretch damaged. The cyclone destroyed 518 fishing trawlers and boats and 4090 nets in the sub-districts where people mainly depended on fishing for their livelihoods. But also according to the sub-district office, 9,732 houses were built there with the assistance provided by the Saudi Arabian government and non-governmental organisations. The report said India had ‘yet to rebuild 1,400 houses’ which it had pledged earlier. It becomes somewhat apparent that as far as rehabilitation is concerned, it is mainly financed by donations and loans. It appears that other than a few token schemes that typically include food for work, cash for work or vulnerable group feeding, the government has taken little action on its own allocating its own resources or diverting other resources in this direction. And this is not only the case with Sidr victims, but with victims and areas affected by Cyclone Aila as well. This is a question of a few thousand people who are being deprived of earning their livelihoods and being able to contribute to the economy and overall development because of apparent government apathy. The sooner it is remedied the better.
Govt pry schools should be revamped
Government primary schools remain neglected as they have come to be the only resort for the children of low-income families including working people. That richer sections refrain from sending their children there on the plea that they are inadequate institutions for teaching is, indeed, deplorable. Teacher-student ratios far below par, truancy by teachers or their delay in taking classes and inferior teaching standards, according to a front-paged report published on Sunday, are said to discourage many guardians from sending their children to government primary schools. Guardians have rightly pointed out that free education without quality is not enough to ensure proper upbringing of the children of tender age. Moreover, absence of music and painting from the school curricula, shamelessly, points to the authorities’ lack of interest in arousing children’s curiosity about nature which constitutes the core of our education both at home and abroad. Private or NGO-run schools have more qualified teachers and better curricula, which include general knowledge and drawing, some guardians said when they were asked why they were not sending their children for free primary schooling. If the authorities continue to neglect these schools, they will not only do a disservice to the poor but injustice to the whole nation. Headmistress of the Rotary Government Primary School in the capital, Hosne Ara Bhuiyan’s statement––mainly a social stigma keeps well-off parents from sending their children to government primary schools; they may not want their children to mix with children of the working class people––indicates how different standards of education at schools in the country even at the primary level are planting seeds of discrimination and inequality in the society, instead of cementing the gap between the rich and the poor. That most of the government primary schools, excepting a few selected schools in poverty-stricken northern and south-western districts, do not offer tiffin to students also signifies the government’s neglect as regards primary school attendance. The gross salary and benefits of an untrained entry-level assistant teacher of a government primary school is Tk 6,100, equivalent to the salary of a driver of a government office, said the report. It seems because of poor salary this profession is failing to attract educated youths and thus the scarcity of teachers at government primary schools. Professors of Dhaka University, in this regard, rightly identified administrative problems and inadequate infrastructure as major barriers to improvement in the quality of primary education. Under these circumstances, it is imperative that the government take steps to improve the quality of primary education appointing a good number of educated teachers with an increase in their pay scale in a bid to wean the children of the rich off an education system based on western culture, and to ensure that all Bangladeshi children get an education based on the rich local culture.
RAB’s photo sessions and the visual construction of criminality
As he spoke I thought to myself, surely, these staged photo ops violate constitutional rights? What does one call them, a sort of media trial, held in what, RAB’s court? writes Rahnuma Ahmed
The title of my column is somewhat misleading, I think it’s best to state that right away. Intrigued by the press briefings that RAB (Rapid Action Battalion) offices hold every so often where ‘criminals’ are displayed along with crime artefacts laid out on long rows of tables—guns, machetes, grenade-making equipment, stolen cash—as evidence of their criminality, images which are served up on the news of all private TV channels, which are printed a day later in the newspapers, I had thought of conducting research on these photo op sessions. I had wanted to examine these as ‘sites’ that are organised and arranged by the organs of the state, by the functionaries of the state, ones that construct criminality through visual means, i.e., still photos and video recordings of criminals, their tools, the loot. RAB, for the few who may not know, falls under the jurisdiction of the ministry of home affairs, its members are seconded to the battalion from the army, navy, air force and police, a measure which, according to its critics, eases in the carry-over of its culture of gross abuses and impunity to other parts of the security forces. My interest in RAB and its activities, as many of my readers probably know, is not new. It re-surfaced recently, however, because of several incidents which gave rise to thoughts, ones that not only refused to go away but dug deep into the soil and grew shoots. It surfaced as I poured water over a waterproof camera that Shahidul Alam, my partner, held underneath. He was working on re-creating images of water-boarding for his upcoming photo exhibition on torture. I concentrated on carrying out his instructions, on not thinking about how I would have felt if an actual head had been in the bucket. It surfaced languidly as I heard Nurul Kabir ask third year students of photography—he is currently teaching a course on Media and Politics at Pathshala—to reflect on how the Bangladeshi media participates in non-violent means of ruling. On how it seeks and gains people’s consent to ideas which work against their interests. Drawing instances from how the media had significantly contributed to making Sheikh Hasina and Khaleda Zia, women with no political experience, into ‘national’ leaders, on how intellectuals, writers and journalists gratuitously offer the view that the nation’s problems would be solved if only the two women would meet and talk to each other, Kabir moved on to a discussion of ideological state apparatuses (the ISA’s, as those familiar with the French Marxist theorist Louis Althusser’s ideas, know). While listening to him, I thought of RAB’s crossfire deaths and how it had simultaneously constructed, and cashed in on an idea of meting out instant justice in a situation of deteriorating law-and-order and a failing criminal justice system, a situation for which the government, of course, was ultimately responsible. I then thought of how it was increasingly becoming difficult for crossfire deaths to garner public support, even of people who supported the government on all other counts. But what about RAB’s press briefings? What did they construct, and what did we consume by watching images of these on television, or through seeing printed pictures? Mug shots, or photographic portraits of arrested people, taken by police photographers at the police station is not something that is practised in Bangladesh. The genre of photography and framing that has developed since RAB (inaugurated in March 2004) began its press briefings seems unique to Bangladesh, and to its visual history. Through my network of photographer friends I got hold of about sixty photographs, and sat looking through these, scribbling notes while I did: RAB officials conducting security searches on buses. Squad dogs snarling at each other. A pair of startled eyes of a young man, the alleged criminal, in front of whom lay a table full of machetes. He seemed to have been hauled up and planted in front of the table. Three young men, guarded on either side by two RAB officials, but although they seemed to be in the middle of a forest, strangely enough, they had A-4 sheets with their names, computer-composed and printed, hanging on their shirt fronts. I then turned to dozens of photographs of press briefing sessions. These invariably, with one or two slight variations, had ‘criminals’ standing behind a long table, covered with a white table cloth, a banner behind announcing the number of the battalion (twelve in all), the alleged criminal or criminals guarded by armed RAB members on either side, criminal artefacts in front. The names of those caught, ‘Mohd Rafiqul Islam, illegal woman trafficker,’ a meticulous description of what was recovered, ‘125 bhori gold ornaments,’ ‘ten thousand US dollars,’ often neatly affixed. To the person. To the object. Reminiscent of colonial inventories. I spoke to a photographer who has covered nearly a hundred RAB events in the last 4 years. He spoke to me on condition of anonymity. So what happens, I asked. Well, the press, from the channels, from the dailies, we all go at the appointed time. We go to a large room, a hall room. There are chairs for us. It takes about half an hour, the criminals are brought, we are briefed on the crime, what happened, who was caught, with what. We take photographs. I prodded and he said, well, what the RAB official says, and what the alleged criminal says seem to be based on the same script. Does anything ever untoward happen? Have you seen any such thing happen? Oh no, he replied. It’s all very neat, very well-organised. No ruffles, none whatsoever. So, why do they do it? Why do they go to the trouble? I think because they get free publicity. I wondered to myself whether it had made crime reporters and investigative journalists lazy. So, you mean, it’s a package? Yes, his eyes lit up. It’s all pre-packaged, you get everything all at once. Sometimes, he said, I think, it is arranged to divert attention. Whose? Well, the media’s, and thereby that of the public. For instance? If you remember the whole Yaba thing, when it blew up, most of those who were paraded before us were Yaba addicts, there was such a big circus over it but none of the really big fish were caught. So, what makes you think it’s stage-managed? Well, two things. If we see something happening on the street, and RAB is there, in action, and we go up to take photographs, they behave very badly. They’ll snarl and say, ‘Do you have any permission?’ They beat up a Jugantor photographer once. But then the next thing you know, they’ll organise this elaborate press briefing at their offices and parade these so-called criminals with ten-or-so Phensedyl bottles laid out on the table. And they also offer us tea, snacks. We don’t want their nasta, we want to work, I want to take photographs because I think I am accountable to the public. As he spoke I thought to myself, surely, these staged photo ops violate constitutional rights? What does one call them, a sort of media trial, held in what, RAB’s court? Aloud, I asked, what strikes you as most odd about these sessions? Well, when they put on their sunglasses, I mean we are inside the building, inside a room, there’s no sunlight but these guys put on their dark glasses just before we start taking photos. return to examining the photographs. There is one set missing, I think. A set that none of us will probably ever get to see. Those that RAB officials are said to have taken of New Age’s crime reporter F Masum after they beat him up outside his house for failing to open the gate with alacrity. According to him, they later dragged him into his bedroom, placed six Phensedyl bottles in his pillow case, stood him beside it. The camera clicked.
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